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Oct 27, 2010

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Spooner by Pete Dexter Remarkable Creatures by Tracy Chevalier Changing My Mind by Zadie Smith Googled by Ken Auletta Game Change by John Heilemann and Mark Halperin

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by Pete Dexter

National Book Award-winning author Pete Dexter tells the story of a wild boy who grows up to be a wild man — like the author himself. Both Dexter and his novel's eponymous character spent part of their childhood in rural Georgia; both grew up to become newspaper columnists; both almost got themselves killed in a barroom brawl; and both were nurtured and protected by an endlessly patient stepfather. In the novel, Spooner takes care of his stepdad as he grows older, but in real life, Dexter wasn't able to provide for his own stepfather. "The day he died, he came in from teaching school, and he was gonna go to a job at a warehouse, and he lay down to take a nap, and he died," Dexter says in an interview with NPR. "If I'd only had a chance to take care of him."

496 pages, $14.99, Grand Central

Remarkable Creatures

A Novel

Tracy Chevalier

Novelist Tracy Chevalier has made a career of bringing history to life, with books set in medieval France, 18th century London and 17th century Holland. At the center of her newest novel is a pioneering 19th century fossil hunter named Mary Anning, who was completely self-taught, never had any formal education and was very poor. Chevalier first encountered her while visiting a small museum about dinosaurs. "I learned from the display that she was a working-class girl who had lived in Lyme Regis, which is on the south coast of England, and had been fossil hunting with her father," Chevalier tells NPR's Mary Louise Kelly. "And one day she and her brother discovered a huge specimen of what turned out to be an icthyosaur, an ancient marine reptile about 200 million years old."

320 pages, $15, Plume Books

Changing My Mind

Occasional Essays

by Zadie Smith

A flexible mind is an open mind. Novelist Zadie Smith puts hers — and ours — through calisthenics in this brainy collection of essays about some of her influences and passions, which include Vladimir Nabokov, George Eliot, Katharine Hepburn, David Foster Wallace and British comedy. No worries here about Emerson's "foolish consistency." Smith writes that "ideological inconsistency is, for me, practically an article of faith." While her somewhat meandering tribute to Wallace (first published in The New Yorker) and her season of movie reviews (first published in The Sunday Telegraph) are filled with sharp insights, the book's real payoff comes in three essays about her "gentle, sentimental" father, Harvey Smith, a salesman who died at 81 in 2006.

320 pages, $16, Penguin


The End Of The World As We Know It

by Ken Auletta

New Yorker tech reporter Ken Auletta uses the story of Google's efforts to branch out beyond its core search engine business to explore the future of media. One of the intriguing things about Google, he tells NPR's Mary Louise Kelly, is that they are long-term players — exploring wind energy, robotic cars and Android phones — and refuse to be judged by short-term Wall Street considerations. But Auletta sees some potential problems for Google: "Their engineers tend to be very good at things they can measure. They're not very good at things they can't measure ... [like] why people would fear them, or why what they view as efficient may to someone else be an arrogant exercise of power."

432 pages, $16, Penguin

Game Change

Obama And The Clintons, McCain And Palin, And The Race Of A Lifetime

by John Heilemann and Mark Halperin

For an account of the 2008 presidential campaigns to register now, it has to dish. And that's just what Game Change does. (The Economist has described it as "high-quality political porn.") Its real selling point is the juicy stuff, like how Harry Reid talked about Obama's lack of "Negro dialect," how McCain's aides thought Palin unfit to be vice president and how Elizabeth Edwards behaved hideously to her husband's campaign staff. Such TMZ-ish revelations have won the book lots of headlines while also raising questions about the authors' reliance on so-called "deep-background" interviews with anonymous sources. But the biggest downside to these anecdotes — which tend to make Obama look good and make the losers look petty and sleazy — is that they feed the cynical belief that those running for office are all creeps and phonies.

480 pages, $16.99, Harper Perennial

Charlotte Abbott edits "New in Paperback." A contributing editor for Publishers Weekly, she also writes the Follow the Reader blog about digital publishing issues.
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Librarian Nancy Pearl's plastic alter-ego (NPR)

Librarian Nancy Pearl's 2009 Under-The-Radar Books

Dec 10, 2009 (Morning Edition)

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When it comes time to take stock of the year in books, it's inevitable that a few titles will escape notice in the rush to hand out accolades. Here are a few books that flew "under the radar" this year that I think will make perfect holiday gifts for everyone on your list — babies, kids, teens, and adults.

Oh, and don't forget yourself, too — read them all before you wrap them and give them away!


Spooner, by Pete Dexter, hardcover, 480 pages, Grand Central Publishing, list price: $26.99

Pete Dexter won the National Book Award for his novel Paris Trout. He's a brilliant writer who began what was once my favorite novel of his, The Paperboy, with a terrific first line, one of my all-time favorites, ever: "My brother Ward was once a famous man." With his new novel, Spooner, he's written my new favorite. Spooner is an autobiographical novel that will share pride of place on my bookshelves with books like John Irving's The World According to Garp, Steve Tesich's Karoo, Merle Miller's A Gay and Melancholy Sound, and Steve Toltz's A Fraction of the Whole.

Spooner tells a coming-of-age story that is funny and heartbreaking, frequently at the same time. It's the story of a boy from Milledgeville, Ga., becoming a man, and how that man best learns to accommodate himself to the vagaries of the world. It's filled with unforgettable characters, both human and canine: Spooner's stepfather, Calmer; his friend Harry, a would-be boxing champion who follows Spooner where common sense shouldn't take either one of them; and a series of dogs (one named Lester Maddox) who share Spooner's life. Each one of them (even the dogs, I suppose) could become the main character in another novel, and I found myself wanting to know what happened next — I wanted more about Harry-the-boxer, Spooner's sister Margaret, and other characters. Dexter's narrator is a born storyteller, and as he spins one episode into another, I found myself just wanting more. Here's a description of Calmer, as he confronts Miss Sandway, one of Spooner's high school teachers, a woman who assigns her students to memorize the poem "Trees" by Robert Frost, though Calmer, a science teacher in the same school, has shown her that Frost did not write that particular poem:

And Calmer, who admired Robert Frost above all other poets, and had fixed broken things all his life, making do with what was on hand, who had once landed an airplane using the wind against his open door to steer after the ailerons cable broke, who had delivered a dozen breeched babies from the wombs of animals on his father's farm, and who had undertaken to mend the life of a woman for whom misery itself was a comfort — Calmer looked at the hulking figure of Miss Sandway, and punted. Some things could be fixed, some things couldn't.

Spooner is one of the very few novels I have read in a long time that I wished were longer; as someone said to me recently, telling me her positive reactions to the book, it's the novel Dexter was born to write. (Read about Spooner's troubled, reluctant birth.)

When Wanderers Cease To Roam

When Wanderers Cease to Roam: A Traveler's Journal of Staying Put, by Vivian Swift, hardcover, 208 pages, Bloomsbury USA, list price: $20

I probably cannot adequately convey how much I absolutely loved reading Vivian Swift's When Wanderers Cease to Roam; A Traveler's Journal of Staying Put. For over two decades, Swift traveled the world, for work and fun, and then she settled down with five cats in a house in a small village on Long Island Sound. Wanderers is her diary (highly illustrated with her watercolor drawings) of those years, with diversions into her past. It's charming, delightful and captivating. I loved the pictures of the single mittens that she's found over the years, but I could have equally chosen any of hundreds of other examples of what made this book so much fun to read.

Here are some: It's through this book that I learned about the mid-18th century French soldier Xavier de Maistre, who was confined to prison for 42 days (for dueling) and decided to write about each of the items in his room as though it were an important tourist attraction. Swift says that he "invented a new mode of travel." And Alexander von Humbolt, who was an explorer and naturalist, and almost an exact contemporary of de Maistre (although they probably never met). He spent five years exploring Latin America and then, according to Swift, settled in Paris for 20 years to write 30 books about his Latin American adventures. Wanderers is a perfect gift for travelers, those with artistic souls, those with a sense of wonder, those who are hug-the-hearths — in short — nearly everyone on your gift list. (See Vivian Swift's collection of lost mittens, and other pages from Wanderers.)

The Good Soldiers

The Good Soldiers, by David Finkel, hardcover, 304 pages, Farrar, Straus and Giroux, list price: $26

It was difficult to read David Finkel's book The Good Soldiers for more than a chapter at a time, because I found myself weeping so often. But of all the books I — and we — have read about the wars in Iraq and Afghanistan — all the excellent and not-so-great "we were there" accounts and reports from embedded journalists — Finkel's account stands head and shoulders above the rest.

We are with the 2-16, an Army Rangers battalion, that was sent to Baghdad at the beginning of the "surge" in 2007. Finkel has a terrific journalistic eye (he won the Pulitzer Prize as a reporter for The Washington Post) and he shares with us the soldiers' experiences as they attempt to bring a kind of peace to Baghdad. The trauma of being away from friends and family, the daily boredom of patrolling a city that is all too frequently punctuated by the terror that comes with an attack or a suicide bomb, the lack of trust of the civilians — all this comes through in writing that is both vivid and visceral.

Finkel is fully aware of the irony that this group of young men, who are fighting what appears to be a rear guard — and losing — battle, are led by Lt. Col. Ralph Kauzlarich, whose lifetime motto has always been, "It's all good." After reading about the reality of life lived under the constant threat of death and bodily injury, it's not hard to come to the conclusion (and I have to believe that Finkel did) that a better motto would have been, "None of this is good." Finkel's fine book offers readers a deeper understanding of both the physical and mental risks we are subjecting our soldiers to. (Read about the battalion commander's reaction to the death of one of his soldiers.)


Liar, by Justine Larbalestier, hardcover, 384 pages, Bloomsbury USA, list price: $16.99

I am generally not fond of books with unreliable narrators — they simply seem to add to my already abnormally high level of anxiety. Call me naive, but I usually want a narrator I can believe. Which makes it all the more interesting that I fell for Justine Larbalestier's Liar, in which the main character admits right away that she seldom tells the truth, can't be trusted and may (or may not) be guilty of a horrendous crime. And that's all that I can tell you about the plot of the book without giving away too much. I want everyone to experience it just as I did, one page at a time. I will say that it's a spectacularly imaginative and gripping story, and the narrator is a young woman whom I won't soon forget. If your adult book group is interested in trying a teen novel, this will make for a great discussion. (Read a few of the narrator's choice fibs: Was she really born with fur all over her body? Did her mask really come from Venice? Is Zach really dead?)

Going Bovine

Going Bovine, by Libba Bray, hardcover, 496 pages, Delacorte, list price: $17.99

Another novel that I suspect teens will enjoy a lot is Libba Bray's Going Bovine. I don't love the cover (we all know you can't judge a book ... etc., but isn't it hard not to?) but the plot hooked me right away. The story begins when the book's 16-year-old narrator, Cameron Smith, is diagnosed with "mad cow" disease. As his doctors search desperately for a cure, Cameron spends his time trying to save the world (and himself) by trying desperately to locate a mysterious Dr. X. He's aided on his journey by his classmate Gonzo, a Mexican-American hypochondriac dwarf, a punk rock angel named Dulcie, and a lawn ornament who was once (perhaps) the Norse god Balder. Based loosely on Don Quixote (a comparison I didn't get until near the end of the book), Cameron's complicated quest is both comedic and tragic. This is another novel that will leave readers talking about what really happened: how much of Cameron's trip is simply a delusion caused by his disease and how much really happened. I know which of the two I'm hoping for. (Read about Cameron's disastrous shift working at "New Agey" fast-food restauant Buddha Burger.)

When You Reach Me

When You Reach Me, by Rebecca Stead, hardcover, 208 pages, Wendy Lamb Books, list price: $15.99

I could wax on about wonderful books for teens, (E. Lockhart's The Disreputable History of Frankie Landau-Banks is another great read), but let's move on to an equally outstanding novel for middle-grade readers: Rebecca Stead's When You Reach Me. Two different librarians — one school librarian and one who works in the public library and is herself the author of middle-grade children's books — have both predicted that Stead's book should win the Newbery Award, which is given annually by the Association for Library Service to Children "to the author of the most distinguished contribution to American literature for children." In any event, it should end up high on every critic's best-of-the-year list. Really, it's that good. It's one of those all too few and far between novels that you want to reread as soon as you finish them, just to see how the author so successfully wrote a fantasy that feels completely real.

In 1979, 12-year-old Miranda and her best friend Sal are savvy New York kids. They know what's safe to do, what places to avoid, and how to deal with the strange and bothersome homeless man on the corner of their street. But when Sal gets attacked — for no discernible reason — by one of their classmates, it kicks off a series of disturbing events: Miranda's apartment key — carefully hidden — disappears, and she gets the first of a series of disturbing and mysterious notes, all of which have something to do with future events. Even as Miranda tries to figure out what's going on, she has to deal with the realities of life: her crush on her classmate, Colin; her new friendship with Annemarie; and her dislike of Annemarie's former best friend, Julie. And that's leaving out the plot line about helping her mother practice to be a contestant on the television show The $20,000 Pyramid. Still, all these diverse strands come together in a most satisfactory way. Best of all, in addition to its thought-provoking plot and its realistic depiction of preteen experiences, When You Reach Me is a wonderful homage to Madeleine L'Engle's A Wrinkle in Time, Miranda's favorite book. (Read about Miranda's preparations for her mom's game-show appearance.)

In The Town All Year 'Round

In the Town All Year 'Round, by Rotraut Susanne Berner, hardcover, 72 pages, Chronicle Books, list price: $16.99

It's hard to imagine a better picture book for helping children develop their powers of imagination than Rotraut Susanne Berner's chock-full-of-delights In the Town All Year 'Round. This oversize book is divided into four sections, one for each season, and Berner introduces each section with pictures of the characters, both people and animals, that will appear on the following pages. (The Winter section, for example, introduces us to a mysterious motorcyclist, Pedro the guitar player, Olivia the avid reader, and Cassie the cat, among others.)

As young readers pore over the illustrations, they'll find themselves making up stories about everyone and everything they see before them. And because there's so much happening on each page (a kindergarten is being built, a woman runs to catch her bus, a group of children visits a natural history museum, a nun loses hold of a penguin balloon, the wind turns an umbrella inside out, a little girl practices the piano), this is an endlessly fascinating book that changes in content every time you share it with a child. Children notice something different and "write" a new tale each time they pick the book up. The colorful, busy drawings may remind some readers of the Where's Waldo series by Martin Handford (another favorite of mine to share with young readers) or the always-popular Richard Scarry titles.

Bubble Trouble

Bubble Trouble, by Margaret Mahy, hardcover, 32 pages, Clarion Books, list price: $16

I count myself as someone crazy for the books of Margaret Mahy, especially her picture books. I love her flights of fancy and her scrumptious way with words. Her new book, Bubble Trouble, is great fun to read. Now, for several reasons it's somewhat difficult for me to review a picture book. First, so much depends on the marriage of the illustrations to the words, and in the case of Bubble Trouble, it's hard to imagine the text without the winsome watercolor and cut paper pictures by Polly Dunbar. They carry along the silliness of the story and make you smile as you look at them. Second, it always seems to me that it would be so much easier if I could just include the complete text in the review, rather than pulling out bits and pieces to quote. Third, the plots of picture books are frequently the least important part of the book — instead it's the use of language, rhythm, and (often) rhyme that makes a book a winner. But reviewing Bubble Trouble is irresistible.

When Mabel blows a bubble, her little brother is caught up in it, wafting out of the house and through the town. Mabel, her mother, and the rest of the townspeople — Chrysta Gribble, her brother Greville (in his nightshirt), Tybal and his mother Sybil (who are playing a game of Scrabble when they see the baby float by, encased in the bubble Mabel blew) — all chase after the baby. Even "crumpled Mr. Copple and his wife (a crabby couple)" and "feeble Mrs. Threeble, in a muddle with her needle (matching pink and purple patches for a pretty patchwork quilt)" try desperately to bring the baby safely to Earth. "With the problem let us grapple," murmured kindly Canon Dapple. "... and the problem we must grapple with is bringing Baby down." Even when it seems as though things are hopeless (owing to the dastardly deed of rascally Abel), someone figures out a way to save the day (and the baby). Reading this aloud (and it must be read aloud) will be the high point of any library story hour. Indeed, it's the perfect choice for that "just one more book"-before-bedtime plea from any 3- to 6-year-old. (Click right here for the start of the trouble, with Baby aloft in Mabel's big bubble.)

Travels In A Thin Country

Travels in a Thin Country: A Journey Through Chile, by Sara Wheeler, paperback, 336 pages, Modern Library, list price: $13.95

I'm working on a new book — Book Lust to Go — which will include armchair travel, explorers, history, all that sort of thing. It should be out sometime in the fall of 2010. One of my great discoveries in all the reading I've been doing is the author Sara Wheeler. I both admire and worry about her fearless attitude toward travel. Her Travels in a Thin Country: A Journey Through Chile is definitely not to be missed by any armchair traveler, someone on his or her way to Chile or with an interest in the country. Chile is approximately 2,600 miles long, and is never more than 250 miles wide (its average width is 110 miles); Wheeler makes her way from the arid north to the islanded south.

Here's a brief example of her writing: "I woke up on my thirty-first birthday in a seedy hotel very close to Argentina, and John the Alaskan tried to wish me a Happy Birthday in Spanish, but by the time he had worked it out we had both lost interest."

Before reading Travels in a Thin Country, I never really considered visiting Chile; now it's on my list of must-see places. Note to political junkies: Wheeler's book is one of the few books about the country that aren't centered on its terrible history under the dictator Augusto Pinochet.

Now for the worry: I have one very adventurous (seemingly fearless) daughter, who, like Wheeler, has an amazing gift for friendship and instant closeness with nearly everyone she meets. At one time in her life she, like Wheeler, had a tendency to drop whatever plans she had in order to go rock climbing with a group of strangers, have her passport confiscated on a train between Florence and Budapest, fall out of touch from her parents for weeks on end, and generally make me very nervous. As a result, all the time I was reading Wheeler's wonderful book, I was feeling dreadfully sorry for her mother.

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PND: 'Spooner' by Pete Dexter ()

Excerpt: 'Spooner'

by Pete Dexter
Dec 10, 2009

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Spooner was born a few minutes previous to daybreak in the historic, honeysuckled little town of Milledgeville, Georgia, in a makeshift delivery room put together in the waiting area of the medical offices of Dr. Emil Woods, across the street from and approximately in the crosshairs of a cluster of Confederate artillery pieces guarding the dog-spotted front lawn of the Greene Street Sons of the Confederacy Retirement Home. It was the first Saturday of December 1956, and the old folks' home was on fire.

The birthing itself lacked cotton-picking, and grits, and darkies to do all the work, but otherwise had the history of the South stamped all over it—misery, besiegement, injustice, smoke enough to sting the eyes (although this was as invisible as the rest of it in the night air), along with an eerie faint keening in the distance and the aroma of singed hair. Unless that was in fact somebody burning grits.

As we pick it up, though, three days preceding, the retired veterans are snug in their beds, and Spooner is on the clock but fixing to evacuate the premises no time soon. Minutes pool slowly into hours, and hours into a day, and then spill over into a new day and another.

And now a resident of the home dozes off with a half-smoked Lucky in his mouth, which falls into his beard, unwashed since D-day or so and as flammable as a two-month old Christmas tree, and it all goes up at once.

While back in Dr. Woods's office, Spooner is still holding on like an abscessed tooth, defying all the laws of the female apparatus and common sense—not that those two spheres are much overlapped in the experience of the doctor, who is vaguely in charge of this drama and known locally as something of a droll southern wit. But by now Dr. Woods, like everyone else, is exhausted as well as terrified of Spooner's mother Lily, and no droll southern wittage has rolled off his tongue in a long, long time.

It's a stalemate, then, the first of thousands Spooner will negotiate with the outside world, yet even as visions of stillborn livestock and dead mares percolate like a growling stomach through the tiny band of spectators, and Dr. Woods discreetly leaves the room to refortify from the locked middle drawer of his office desk, and Lily's sisters, who, sniffing tragedy, have assembled from as far off as Omaha, Nebraska, but are at this moment huddled together at the hallway window to have a smoke and watch for jumpers across the street, Spooner's mother rolls out of bed on her own and gains her feet, and in those first vertical moments, with one of her hands clutching a visitor's chair for balance and the other covering her mouth against the possibility of unpleasant morning breath, she issues Spooner, feet first and the color of an eggplant, the umbilical cord looped around his neck, like a bare little man dropped through a gallows on the way to the next world.


As it happened, Spooner was second out the door that morning, a few moments behind his better-looking fraternal twin, Clifford, who, in the way these things often worked out for Spooner's mother, arrived dead yet precious as life itself, and in the years of visitation ahead was a comfort to her in a way that none of the others (one before Spooner and two further down the line) could ever be.

And was forever, secretly, the favorite child.

From Spooner by Pete Dexter. Copyright 2009 by Pete Dexter. Published by Grand Central Publishing. Used by permission of the publisher. All rights reserved.

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Author Pete Dexter ()

For Pete Dexter, Fiction Provides A Happy Ending

Oct 2, 2009 (All Things Considered)

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People who love to read novels know that sometimes fiction gets closer to the truth than facts ever can. And those who write novels know they can make things turn out the way they wish they had, instead of the way they really did.

Spooner, the new novel by National Book Award-winning author Pete Dexter, tells the story of a wild boy who grows up to be a wild man — not unlike the author himself. Both Dexter and his novel's eponymous character spent part of their childhood in rural Georgia; both grew up to become newspaper columnists; both almost got themselves killed in a barroom brawl; and both were nurtured and protected by an endlessly patient stepfather.

Still, Dexter insists that the book is not a thinly disguised biography: "It's in no way a memoir. It's just a novel with a lot happier ending than life was."

In the book, Spooner suffers a traumatic childhood; his twin dies during childbirth, and his father dies shortly after he is born. His mother, a neurotic woman who has asthma, doesn't lavish affection on her son. But thanks to a loving stepfather named Calmer, Spooner defies the odds and lands on the shores of adulthood in one piece, even managing to have a successful career and a happy family life.

Dexter says the character of Calmer is a tribute to his own stepfather, to whom he owes an "enormous" debt: "I am not sure [the novel] started out to be an homage to the guy, but once I got into the subject, it was something like that."

The author credits his stepfather for setting him on the right track:

"If it hadn't been for him, I'd be one of those guys out on the beach, about the color of a coconut by the sun by now," Dexter says. "I'd have found marijuana [and been] one of those guys with his hair down to his behind."

In the novel, Spooner takes care of Calmer as his stepdad grows older, but in real life, Dexter wasn't able to provide for his own stepfather.

"In real life, [my stepfather] died at 60. He got fired as superintendent of schools, he was demoted way down. ... And the day he died, he came in from teaching school, and he was gonna go to a job at a warehouse, and he lay down to take a nap, and he died," says Dexter. "If I'd only had a chance to take care of him."

Writing about Spooner and Calmer allowed Dexter to imagine the kind of relationship he may have had with his own stepfather if only he had lived longer. And, he says, he enjoyed writing this book more than any other:

"I was happier doing it than I've ever been," says Dexter. "I couldn't tell you why, but it seemed truer, and I seemed to be getting more at the heart of things."

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