Nov 21, 2012 (Jazz24) — Starting in the 1920s, Hawkins made an afterthought of an instrument into one of the sounds we most identify with jazz. He also straddled the era of big band swing and later developments like bebop. Here are five songs that illustrate his genius.
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Coleman Hawkins: Tenor Saxophone, Front And Center
Nov 21, 2012 (Jazz24) — Starting in the 1920s, Hawkins made an afterthought of an instrument into one of the sounds we most identify with jazz. He also straddled the era of big band swing and later developments like bebop. Here are five songs that illustrate his genius.
When tenor saxophonist John Coltrane recorded his composition "Giant Steps" in 1959, he created something that changed the way musicians thought about improvisation and harmony. Decades earlier, the man who took the first leaps and bounds with the tenor sax in jazz was Coleman Hawkins.
Before Hawkins arrived on the jazz scene with the Fletcher Henderson Orchestra in the 1920s, the tenor sax was basically an ensemble instrument — as opposed to a improvisational instrument — mainly providing a link between the clarinets and brass instruments in military bands and big bands. Hawkins had different ideas, and through his virtuosic playing, he put the instrument front and center in the development of jazz. Hawkins' approach to music would later serve as a bridge from the era of big band swing to later developments like bebop.
Put simply, Hawkins was a musical pioneer, one of the most versatile and accomplished soloists in jazz history. Here are five samples of his genius.
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