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Entering Talks In Geneva, U.S. Hopes For A Ukraine Breakthrough

Apr 16, 2014 (All Things Considered) — Secretary of State John Kerry is set to meet Thursday with officials from Russia, Ukraine and the European Union. They will discuss the crisis in Ukraine. While the Obama administration has said it has overwhelming evidence that Moscow is stirring up the unrest in eastern Ukraine, it says it wants to wait before expanding sanctions. Analysts say Washington has few other options.

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High School's Most Dreaded Test Gets A Makeover

by Cory Turner
Apr 16, 2014 (All Things Considered) — The College Board outlined changes today for its SAT, pairing the news with a few sample questions. NPR's Cory Turner details the makeover students can expect to find in spring of 2016.

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South Korea Ferry Disaster Sets Rescuers, And Fears, In Motion

Apr 16, 2014 (All Things Considered) — Hundreds are missing after a ferry sank Wednesday off South Korea's southern coast. Reporter Jason Strother in Seoul offers details on the latest developments.

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RIP FCAT, The Florida Test With A Chorus Of Detractors

by Sammy Mack
Apr 16, 2014 (All Things Considered) — The Florida Comprehensive Assessment Test, or FCAT, is being replaced by a test aligned to the Common Core State Standards. StateImpact Florida's Sammy Mack remembers FCAT and its controversial run.

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Andrew Winter's Gulls at Monhegan was lost after it was given -- wrongly -- to an American ambassador to Costa Rica when he retired. (Courtesy of the U.S. GSA Fine Arts Program )

New Deal Treasure: Government Searches For Long Lost Art

Apr 16, 2014 (All Things Considered)

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John Sloan's Fourteenth Street at Sixth Avenue hung in the office of Sen. Royal Copeland until his death in 1938. After that, the painting was lost until 2003. The GSA recovered Anne Fletcher's Iris Garden after its then-owner watched an episode of PBS's Antiques Roadshow and realized the painting was actually a WPA piece. The GSA's Brian Miller holds Andrew Winter's Gulls at Monhegan (click here for a closer look). The painting will be sent to the U.S. Embassy in Croatia as part of the State Department's Art in Embassies program.

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At the height of the Great Depression, President Franklin Roosevelt enacted a raft of New Deal programs aimed at giving jobs to millions of unemployed Americans; programs for construction workers and farmers — and programs for writers and artists.

"Paintings and sculpture were produced, murals were produced and literally thousands of prints," says Virginia Mecklenburg, chief curator at the Smithsonian Museum of American Art.

In all, hundreds of thousands of works were produced by as many as 10,000 artists. But in the decades since, many of those works have gone missing — lost or stolen, they're now scattered across the country.

A Transformative Time For American Artists

The biggest New Deal art program was the Works Progress Administration Federal Art Project. Artists could earn up to $42 a week, as long as they produced something.

Mecklenburg says it was a transforming time for the artists: "The idea for an artist to be able to work through a problem, to work through ideas, you know, that's golden. So it was a very special moment, and one that really has not ever been repeated."

To qualify for the work, however, you had to prove yourself as an artist and you had to show you were poor. Mecklenburg spoke to two brothers-in-law who were in the program.

She says, "One of them was saying, you know, you had to prove you were penniless — he said it hurt your dignity. And the other one was so cavalier and devil-may-care about it. He said: Oh, you know, if you thought the relief worker was coming to check out if you had an iron, or anything else that looked like it was of value, you just ran it over to the neighbor's apartment so it looked like you didn't have any possessions at all. It's about as human a story as we've ever come up with in the art world."

Every Recovered Painting Has A Story

Some of the art became famous — such as the murals painted in post offices and other public buildings across the country — but in the 80 years since the New Deal art programs began, many of the works have disappeared.

The General Services Administration, the federal agency in charge of government buildings, has a program to recover the lost art, which remains government property. GSA Inspector General Brian Miller says every recovered painting has a story.

Take, for instance, the seascape Gulls at Monhegan, painted by Maine artist Andrew Winter. "It hung in the [American] embassy in Costa Rica for years," Miller says. "And the ambassador loved it so much that and when he left his staff gave it to him as kind of an unofficial gift. And so it remained in his family and then his granddaughter eventually tried to sell it up in Portland, Maine."

John Sloan's New York City street scene, Fourteenth Street at Sixth Avenue, was also recovered by the GSA. It had hung in a U.S. senator's office and apparently went home with a staffer after that senator's death.

"It's a busy street and there's I guess an [elevated train] that goes over top, and a bustling street with people walking and cars parked and people in all sorts of dress," Miller says. "And this really captures life in New York City"

The painting — appraised at $750,000 — was recovered in 2003 and is now on loan to the Detroit Institute of Arts. Other pieces have been found at yard sales, antique malls and on eBay. Many are identifiable by tags that say "Federal Arts Program" or "Treasury Department Art Project."

Miller, who is stepping down from his post at the GSA at the end of the week, says the government wants to preserve these scenes of America.

"There are just hundreds of portraits of what American life was like in the '30s and '40s," he says, "and it really captures a piece of America and we want to put it up for America to see."

The GSA has recovered more than 200 works of art so far, and it's looking for leads on the rest.

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