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Slaid Cleaves' music is influenced by singer-songwriters such as Woody Guthrie, Bruce Springsteen, Hank Williams and Johnny Cash. (Courtesy of the artist)

Slaid Cleaves: 'Still Fighting' With Smart Lyrics And Stories

Jun 13, 2013 (Fresh Air from WHYY)

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Still Fighting the War is Slaid Cleaves' 13th album since he began recording in 1990.

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Reported by

Ken Tucker

Raised in South Berwick, Maine, and residing in Austin, Texas, Slaid Cleaves is no one's idea of a music-industry insider. He writes and sings songs primarily about working-class people and romantics both hopeful and hopeless. That said, it's also not difficult to hear another element of the fortysomething Cleaves' past: He was an English and philosophy major at Tufts, and his lyrics are underpinned by both a fine sense of meter and moral perspicacity. You can hear the former — the clever rhymes and forward narrative momentum — in a jaunty song such as "Texas Love Song."

The other side of Cleaves' music is his interest in delineating what it's like to live a hardscrabble existence without too much hope of rising above one's station in life. This tends to lead Cleaves back to his Maine childhood, where the economy and the climate are frequently difficult, and which can summon up vivid images for him. One of the best of these is "Welding Burns," in which the narrator recalls the look of his father's hands and the trapped feeling the older man felt in the work he was bound to do.

My father was a welder, and that song certainly rings true to me. Something I can also identify with is Cleaves' admiration for Don Walser, a legendary cult figure in Texas country music — a genial, portly singer who was known for his bold yodeling. Walser didn't make his modest recording breakthrough until he was in his 50s. Cleaves' song "God's Own Yodeler" doesn't merely describe Walser; the melody also embodies the spirit of Walser's music.

Slaid Cleaves possesses a beautifully dusty, yearning voice that rarely strains for poignancy or effusive sentiment. He has the distinctive gift of being able to describe lost loves in songs here such as "Gone" and "Without Her" without self-pity. In "I Bet She Does," he pulls off a trick I'm not sure I've heard before: making clear his bitterness about a woman who rejected him — and who now regrets breaking his heart — without turning it into a surly, I-told-you-so song.

Cleaves has expressed his admiration for songwriters such as Woody Guthrie and Bruce Springsteen, and he tours a lot, but as he sings in a song about auto workers called "Rust Belt Fields," "No one remembers your name just for working hard." You might, however, remember the name Slaid Cleaves for music as terse and clear and heartfelt as it is throughout Still Fighting the War.

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