Aug 20, 2014 — Daniel Kehlmann's F, about three brothers abandoned by their father, examines the detail of lives lived without integrity. It is brilliantly translated from the German by Carol Brown Janeway.
Aug 20, 2014 — David Connerley Nahm's debut, Ancient Oceans of Central Kentucky, is full of what critic Michael Schaub calls "anti-nostalgia," the pain of intrusive memories that come when you're least prepared.
Aug 19, 2014 — The protagonist of Julie Schumacher's new Dear Committee Members is frustrated with the future of American arts and letters — and the feckless students who pester him for recommendation letters.
Aug 19, 2014 — Critic Heller McAlpin says readers picking up Paulo Coelho's new Adultery in search of deep philosophical insight on marital infidelity and a lack of cliches might be better off with Madame Bovary.
Aug 19, 2014 — Filmmakers Alex and Andrew Smith knew American Indian writer James Welch — he was a family friend. But as non-Native Americans, they had concerns about adapting his iconic novel, Winter in the Blood.
Aug 18, 2014 — Colorless Tsukuru Tazaki, about a young man looking for closure, offers Haruki Murakami's trademark blend of fantasy and reality. Some moments fall flat, but many others are intoxicating.
Aug 16, 2014 — Thrity Umrigar's new novel is about two women with "a mystical connection." Lakshmi is stuck in a loveless marriage. Dr. Maggie Bose decides Lakshmi doesn't need a shrink — she needs an escape.
Aug 15, 2014 — Jess Row's provocative Your Face in Mine uses the rhetoric of transgender experience to imagine a world where race can be changed; reviewer Amal El-Mohtar calls it a grating meditation on white guilt.
Aug 14, 2014 — Appearing at No. 9, And The Mountains Echoed is a story of a family's loss that spans decades and continents, by Kite Runner author Khaled Hosseini.
Aug 12, 2014 — Julie Schumacher's anti-hero pens recommendations for junior colleagues, lackluster students and former lovers. The novel deftly mixes comedy with social criticism and righteous outrage.