JazzSet with Dee Dee Bridgewater
Mar 6, 2014 — At the Kennedy Center Jazz Club, the trio plays everything from bebop classics to Cole Porter and Thelonious Monk. Mulgrew's take on the timeless ballad "My Foolish Heart" is unforgettable.
Feb 27, 2014 — Hammond B3 organ master Dr. Lonnie Smith leads his trio through a soulful set before a sold-out house at the Kennedy Center Jazz Club in Washington, D.C.
Feb 20, 2014 — Palmieri plays the whole piano, and he's not shy about throwing an elbow or forearm to get the effect he needs.
Feb 13, 2014 — JazzSet celebrates the 70th birthday of NEA Jazz Master Kenny Barron with new duets featuring bassist Dave Holland at the Kennedy Center's Family Theater. Plus, hear a solo Barron set from the Caramoor Jazz Festival.
Feb 6, 2014 — Composer and pianist Jason Moran ushers in his era as Artistic Advisor for Jazz at the Kennedy Center in Washington, D.C., with this performance, captured by JazzSet in honor of Black History Month.
Jan 30, 2014 — Fast hands, cymbals that shimmer, drop-kicks on the bass drum; these are two drummers who appreciate each other. Albert "Tootie" Heath performs in a trio with Ethan Iverson (The Bad Plus) and Ben Street (Danilo Perez Trio), followed by Wilson's Arts & Crafts quartet, in Surround Sound on JazzSet.
Jan 23, 2014 — Inspired by A.A. Milne's 1924 book of poetry, When We Were Very Young, Cornelius presents a composition commissioned by Chamber Music America. It features Bill Evans-like voicings and Ellingtonian ideas.
Jan 16, 2014 — Dee Dee Bridgewater, Dianne Reeves and Cassandra Wilson sing from the Abbey Lincoln songbook.
Jan 9, 2014 — Hear passionate improvisation across borders on Colombian harp, Argentinian bandoneón, Venezuelan cuatro and vibes from the U.S. In a set with Castañeda, his trio and special guests perform at the Americas Society in New York.
Jan 2, 2014 — Hear a Surround Sound remix of music from the Grammy-nominated album, in performance at the 2012 Newport Jazz Festival. Gretchen Parlato sings a song that Bill Evans arranged for Astrud Gilberto, while Truesdell chooses three additional pieces that have special meaning at Newport.